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He's off key, he's got a terrible singing voice and worst of all, he sounds corny as hell. Eminem sings as well as Richard Simmons isn't gay. Every time Eminem starts belting out a verse, I find myself yearning for someone to reach into the deep recesses of my ears and rip out all the innards that allow me to process audible data. But I welcome his emceeing any day of the week over the vocal atrocity he euphemistically refers to as singing. On this album, when he's rapping he's not great. I should note that I'd be willing to sacrifice some of the rhyming complexity for an equivalent boost in content, but no such content boost is present on this CD Insane, effortless rhyme-structuring is what helped propel Eminem to the super star status he ultimately attained, but this album features nowhere near the same degree of rhyming-prowess exhibited on "The Eminem Show", "The Marshall Mathers LP" and "The Slim Shady LP".
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Plus his rhyme-structuring isn't nearly as complex as on previous installments. If he's not making unfunny jokes, or rambling dementedly about Kim he's whining about his mom or some other facet of his life that we're all sick of hearing about. But overall, he's either whiny, corny, contrived or some combination of the three. Lyrically, Eminem is strong on a couple of tracks-"Like toy soldiers" and "mockingbird" are both worth listening to-as is the second verse on "Rain Man". The other Dre brain-children aren't nearly as down-syndromed as "Just Lose It" but they're definitely not up to Dre standards (even though they are better than most of Em's beats). If modern science could come up with a way to bestow consciousness/self-awareness upon that beat, it would have killed itself-and rightfully so. This is a beat that should be produced by a Casio keyboard, not Dr. In case you skipped over the previous sentence, let me say that again: "DRE PRODUCED JUST LOSE IT'.
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Actually, unfortunately, that's kinda what Eminem did, as this CD features some of Dre's most lackluster, uninspired production in quite some time. Dre is willing to give you an entire album's-worth of beats, you don't tell him "naw man, it's cool-I'll take care of it." You thank your lucky stars that such a blessing has been bequeathed upon you and you take everything he throws your way. I mean, come on, when is Eminem going to give up the whole production thing? Eminem should be producing his own beats like Quentin Tarantino should be acting in his own movies. The production on the album typically ranges somewhere between abysmal and crappy, and only occasionally skyrockets to the realm of decent. Well, okay, it's not quite that bad-but there's no denying that this is not a good album-on any level. This album is the hip-hop equivalent of the thick, bloody vomit-like muck that covers the floors of filth-ridden slaughter houses owned by shady republican businessmen and manned by inept illegals. Or like Rick Moranis going from, well, going from-okay Rick Moranis is a bad example the point is that Eminem used to make nothing but filet-mignon hip-hop, but has now decided to provide the hungry hip-hop consumer with a big heaping plate of rancid tripe. Eminem going from the likes of the Marshal Mather's LP to this, is not unlike Steve Martin going from "The Jerk" to "Sgt. Suffice it to say that, for me, this is not a desirable combination. This album sounds like the hybrid one would obtain from the splicing together of Eminem's genes with those of a big steaming pile of maggot-infested rottweiler crap. SGeneticists have used genetic know-how to splice together the DNA of two separate entities allowing them to create a single entity known as a hybrid. Of course, people buy Eminem albums to hear him spit first and foremost, and in that regard few fans will be disappointed by Encore it'd just be nice to see him switch up his sound at some point. The exotic flavor of "Ass Like That" catches the ear, but many others run off the same monotonous minor-key melodies and tempos.
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Dre cooked up on the previous three albums. If Encore has a clear weakness, it's the bland production-the same plodding sound that he and Dr. However, it's not all elder statesmanship: "Puke" goes after his ex-wife Kim with incredible scorn, and "Big Weenie" showcases the familiar juvenile humor that made him famous. Encore finds a surprisingly mature Eminem waxing reflective about his battle with Benzino ("Like Toy Soldiers") rather than unloading both barrels. As evinced by Em's pre-election, pro-voting "Mosh," this is not exactly the same Eminem who seemingly crapped on anything and everything. Eminem's fourth album offers few surprises, but still enough pleasures to carry the day.